Hey. You with the finished novel and the query plan. And you with the agent and the possible interested publisher. Also, you over there who just got smeared on a writing critique website and that chick beside you with the Masters in Creative Writing. All of you, listen up.
You might be great. You might be golden. But you ain’t shit without other writers to back you up. And if you going around with your Grammar Nazi red pen and your condescending and overly worded notes on how they should have written their novels, you aren’t doing them, or yourself any favors.
In my life I have read all sorts of writing from all sorts of people and there have been times I have put my hands over my face and thought, this is too hard to read. Sometimes the genre was just not my cup of tea. Sometimes the writing really did need a lot of clean up. Sometimes they had a writing quirk that I fixated on until it drove me crazy. Sometimes It was just so really good that I wanted to gouge my eyes out in jealousy. It’s honestly happened many times for many different reasons.
But the fact of the matter was, I always did read it, all the way through. And after I digested it a bit, I could always see the light glowing in that story.
Every story has a light.
A unique voice. An amazing premise. A clear and concise manner of wordplay. A riveting style.
The truth is, I have been wealthy in the work I have gotten to read. There is very little I have gotten my hands on that hasn’t revealed it’s light to me. Hasn’t taught me something, changed my ideas just a little, made my brain spin in that beautiful, awesome way the brains of writers do.
And you will never read most of it. Because someone, or sometimes, multiple someones, have beaten that story down. They convinced the writer that instead of chipping away at the rock and mud and sometimes, yes, sometimes even caked shit, until they shined that gem gleaming at the center, that instead that gem itself was trash, and maybe the writer was trash as well.
Now, please, let me clarify a moment, before going on. Not everything you ever write is going to be diamonds. You are going to write a lot of petrified dinosaur poop with some garnets sprinkled in. Especially when you first get started and before you tell your ego to take a back seat to honing your craft. But you can salvage those garnets and you can keep trading them up until they surround diamonds if you keep working at getting better.
And working at getting better takes some serious diamond hard will. Not all of us will make it. Not because we can’t, but because we get crushed under the egos of the peers and mentors we go to to help us refine our craft.
So here is my plea to my fellow writers, who have used that diamond will to forge on.
Keep looking for the light in the words of those around you. Keep looking for the lessons they have to teach you. Keep looking for their strengths. Keep encouraging writers, every writer.
I’m not telling you to pander. To flatter. To lie. Those things serve no one.
But find the strengths in the work. Find that spark that made that person decide they wanted to write in the first place and while you give your criticism, and please do make sure you tell them how to make their work stronger by elevating the strengths that are already there.
A person can learn grammar. They can learn plotting. They can learn to set the tone. But they need to feel like it is worth it. And it is always worth it.
Neil Gaiman is quoted saying “Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.”
This is what we, as writers and as critics, need to remember. The story is unique to the writer. We do not know where it is going until it has gone there. We must read as readers and not as writers. We must acknowledge that every story is a journey for the writer, because we know every story we write is our own journey.
Not all of our journeys deserve publication. Not all of our paths lead to riches. But we learn along the way, don’t we?
And to your benefit, you never know when that kid your encouraged in night school is going to unleash the NYT bestseller, or the girl in your crit group is going to be endorsed by Stephanie Meyer. Do you want to be the person who told them their story sucked because you thought the twist should be something different, or do want to be the one they are endorsing when you release your first work because you made it possible for them to see their flaws and play up their strength?