Hello from the deep pits of manuscript edits. I have been down here a while and to be honest, my head feels a little funny. But the words are calling me and the changes are flowing.
Most important is that I am really pretty happy about being a writer at the moment. To the outside viewer it may seem that my career is stagnant. Nothing seems to be moving.
But those outside viewers are crazy wrong. Everything is changing. Everything is growing. These manuscripts I wrote two, three years ago are bursting into bloom, finally taking on the forms they were always striving to achieve.
I love my work and my work is flowing.
So last year I set a bunch of hard goals for myself. Get a publishing contract, get an agent, ect. Those things aren’t exactly out of the picture, but the biggest accomplishments of the previous year have been the people I’ve met, the collaborations I was a part of, the writers I’ve learned from and work I’ve written.
This year is starting out amazing. Myself and a group of extremely talented writers are putting together a kick ass anthology, we hope to have published before the end of the year. I have so many new stories in the works and TWO gorgeous completed and polished manuscripts that I am just so excited about, as well as a rough draft I am so excited to be cleaning up.
In the past I have hated edits. I have suffered through them and in return my edited manuscripts have reflected that suffering.
So my goals for this year is to just enjoy what I’m doing it. Because at the heart of it, that is why I am a writer.
Happy 2018. Hope yours is started out with awesomeness.
Happy New Year! I have started and stalled on many blog posts since 2018 has started, but this is one I feel compelled to share, even though it has nothing to do with writing and everything to do with life in the world we live in.
Today my children, three and six, were playing with blocks. They started to bicker, as siblings do. My son in a show of power knocked over his little sister’s tower. When scolded, he defiantly refused to apologize, so my daughter knocked over his tower.
It was only fair.
But now there were two angry and hurt children, with tears in their eyes.
It was only fair that since he knocked down her tower, she knocked down his.
And yet neither of them felt satisfied with the solution. Neither my son, who had been the initial aggressor, nor my daughter who had offered fair retaliation for the destruction of her creation felt any better now that their towers both lay in ruins.
I asked my children to forgive each other. To hug and make up and my son agreed but my daughter held out. I asked her why.
“Because my feelings are hurt. I’m very mad at him.”
“Even though you did the same thing to him?”
I asked my son how he felt about it.
“My feeling are hurt. I really liked my tower and she didn’t have to destroy it.”
“Even though you started it?”
“Would it make you feel better if you guys were friends again?”
They glanced at each other and back at me, their eyes wet as they both nodded.
Then, my daughter ran to her brother and wrapped her little arms around him and said “I love you.”
He hugged her back. “I love you too.”
The tears were gone. The hurt faded away and they both went on to build new towers while I sat thinking about what had just transpired.
Even with a completely fair and equitable solution of mutual destruction, neither child felt good. Hurting her brother didn’t make my daughter feel any better about what he had done, although it was her first inclination to retaliate against him. When all the block lay on the floor, their creations in ruin, they were both even more upset then they had been in the first place.
My daughter didn’t need her brother’s forgiveness to feel better. She only needed to forgive him. The same with my son.
We don’t forgive to absolve those who hurt us. We forgive to allow ourselves to put down the burden of anger. It may not be our first inclination, but we are thinking, reasoning beings capable of more than instinctual reaction.
Anger, resentment, hurt feelings consume us, and block us from our greater aspects. When we let those things go, we are again free to build, create and move forward with our pursuits of happiness.
For the last month I have been drowning in messages asking “Where have you been, Lindsey? Why aren’t you posting?” (Disclaimer: This is a fictional account of a non-existent issue. No one has sent me messages). And now I am ready to set the record straight.
I have been working my ass off.
Also it’s Christmas time and that’s kinda crazy busy for a mom.
And there have been some personal set backs.
But it’s all okay.
Because I have been working my ass off. And It’s been Glorious.
So, just in case there has been any mild curiosity, or there are other writers out there who are wondering about how to manage a blog when they are on a deadline, here’s what’s been going in.
I am taking another crack at edits for The Silent Apocalypse, which is now being completely overhauled, new title, new character and cleaning up beautifully.
I wrote and submitted a short story to an anthology that really liked it (yay) but decided to drop the project (boo). This was a personal challenge and victory for me however, because I really struggle with short stories and I had a short deadline to make it. I hope it will clear me up to write for some future anthologies.
I have a small group of writers I’ve been working with, bouncing ideas around and just having fun and we are discussing some future collaborations.
And again, I have been editing. This is probably the twelfth go at this novel but damn, taking so much time off in between really gives you some clarity. I am working as hard on this round of edits as I did the first go and I can see this baby sparkling. I have a specific submission deadline I’m working toward and then I will happily drop it off at the front door and move onto some other babies that have been calling me.
So the truth is, I have had little to give the blog recently. I was really excited to get and interview with Gary Buelher and earlier Lucas Mangum, and I will have some other reviews and interviews and hopefully some guest writers coming up in the new year. Blogging is fun and I’ve met great people doing it. But when the pile is high, the energy can only be parsed out so much.
So I hope to be back soon with some regular posts and a lot of crap about what I have learned. And if I don’t post again before 2018 I hope every enjoys their Hanukkah, Kwanzaa, Solstice, Christmas, New Years and any other winter holiday I may have left out. Because I don’t care what you celebrate, as long as you are enjoying yourself.
I met Gary in my first critique group. The soft spoken gentleman submitted short stories based on his life and transported our group back to a Philadelphia from the past. When I learned he recently published a collection of his short stories, I was excited to get a copy and interview him for the blog.
Gary is a lovely person, a supportive friend and a talented writer. His words do not just paint a picture. They immerse you in his world. His subject is his childhood, but his themes are universal.
Gary, what made you decide to release this collection?
It was never my idea to wait until I was eighty years old to get my book published. If any of the people along the way (who had promised to help get me published) had done anything at all, my book might have been published a long time ago. When I was in the final stages of getting Bits and Pieces published, I sent an email to one of those people. I thought or perhaps just hoped she would be happy for me. Her lack of a response would tell me all I needed to know. She couldn’t have cared less.
In the back of my mind for years I toyed with the idea of writing a book, but never seriously thought I ever would. At the time I was rather content just reading my stories at Open Mics. Instant gratification without any concern for run on sentences, misspelled words and improper punctuation is a writer’s idea of heaven.
My life was to change the day I joined the Mainline Writer’s Group led by Gary Zenker. The group had just published an anthology written by the membership titled “Unclaimed Baggage”. Anxious to learn more about the writer’s group I had just joined I purchased a copy. For the most part I was in awe over what I read. Down deep inside me I was a little jealous but never once thought I would ever be a good enough writer to have something of mine published. Several years later with dogged determination Gary Zenker wouldn’t leave me alone and kept insisting that I needed to put my stories into a book. He said he thought my stories needed to be preserved in something other than his sometimes inadequate memories of them. I was unaccustomed to someone like Gary with such a giving nature who didn’t make empty promises, I must admit I did wonder what his motives were.
Perhaps with a little kicking and screaming on my part I finally agreed to put some of my stories into a memoir. I hadn’t made it easy for Gary to gain my trust but he certainly did. He was my champion, mentor and good friend. Countless emails from me asking perhaps stupid questions must have had Gary asking himself what he had gotten himself into. To his credit he never lost patience (with pain in the ass me) and almost always answered my emails immediately. Gary was doing all the real work to get my book published and without him in my corner it would have never happened. All I did was to write the words.
What is your favorite story in the book?
Good question, but not an easy one to answer. My stories are like my children. As a parent I am supposed to love them all equally. If I must pick one story as my favorite it would be “In the Beginning”. Each time I read one of my stories I am somehow transported back in time as if I was experiencing the events for the first time. The few years I lived with my aunt Betty were perhaps the only time in my life where I felt unconditional love. Taking a line from the last story in my book “even at my young age I knew as long as I was with her, I had nothing to fear”. From a literary standpoint I think the best crafted of my thirty stories in the book is “Marvin and Me”.
You’ve received a great response so far. Your stories really resonate with your readers. Why do you think that is so?
Without any formal training as a writer the short answer is (it is a gift from God). Over the years my writing style has been compared with other writers. Some of whom are actually famous. Instead of giving my opinion I will defer you the Introduction that Gary Zenker wrote for my book, which I think hits the nail right on the head. I was flattered by Gary’s kind words, but I protested saying: “I didn’t deserve such praise”. When I shared Gary’s Introduction with friends they said the praise was well earned and for me think it wasn’t was just me being foolish.
My friend Gary Buehler is something special, as is this book
To me he is the Norman Rockwell of writers. An accomplished artist uses his or her canvas (in Gary’s case, words) to do more than merely create a scene; he transports the audience to a different time and place. Gary places me right into his stories as a close observer, just to the left or right of him as he recounts many of the events that have made up his life.
Anyone can describe the sound of a baseball bat hitting a ball in stickball or the smell of hay on a hayride using nouns and adjectives. Gary can make you feel the emotion behind the panic of a pre-teen hitting a ball that veers toward a building window and the angst of young love, sitting in the cart on the hayride, drowning in unrequited romantic feelings.
Many of Gary’s stories come back to me weeks or months after hearing them while driving in my car or talking with someone on the phone or taking a shower. They are the sleeper agents of story-telling. They make me feel – really feel – happiness, sadness, joy, hurt, surprise, regret, rejection and a dozen other feelings as surely as I had personally gone through the events he describes. And he does that all in the space where lit fiction authors are typically merely setting a scene.
Gary’s emergence as a writer came late in life. Maybe, in order to get these stories out, they needed to marinate… for a couple of decades. Many of them are not easy-to-tell stories and some distance was probably needed. Whatever the case, I am glad they are out now, collected and preserved in something other than my inadequate memories of his reading aloud at the writers group we both attend. I like the idea of being able to reread his exact words and time travel back to his world.
These are stories that you will want to read and read again. More than that, you should let your friends read them, as well. I think you’ll agree that something this ‘special’ is better shared.
What is your writing process like? How do you get yourself writing?
My writing process is haphazard at best. Due to the diuretics I must take, a sound night’s sleep often escapes me. On nights like that I sometimes just lay in bed waiting for sleep to overcome me. While waiting I often revisit the latest story I have been working on, doing mental edits. I often write them down on the back of old envelopes. When that becomes too cumbersome, I get up and sit down at my computer. The next thing I know the first rays of morning sunbeams are creeping into my bedroom. Another sleepless night that has become all too common. The upside is, on a good night I have added a few more pages to my story.
Guilt over not accomplishing anything worthwhile is usually what gets me writing. I am old school, believing that one must have something to show for the last twenty four hours. If not I feel that I am just being lazy. I dislike that feeling and will do whatever it takes to get rid of it.
Is writing something you’ve done all your life or did you pick it up at a certain point in your life?
Writing is probably something I have done since my first recollections of my life. First my writing was only mental. But back then my young mind was like a sponge that could retain a tremendous amount of information that I wasn’t likely to forget. Eventually (probably when I entered junior high school) I began writing things down in a composition book. In between I wrote letters to my brother Jack who was serving in the army. My life was nothing special, but I somehow I had the God given ability to make ordinary events of my humdrum existence sound interesting. Jack thanked me for my letters always adding that his army buddies who he had shared my letters with were eager for more. That was probably my first real audience. With the exception of my talent in art, I probably was never thought of as a gifted student. I preferred being seated in the back of my classroom where I hoped I was invisible and wouldn’t be called on. That was all about to change the day when my English teacher asked me to read a story I had written as a class assignment. Never being the sharpest pencil in the box, I wondered why she had called on me and no one else. After a day or two it finally dawned on me that I could write. That probably started the ball rolling to where I am now (a published author). I know I am, but I still find it hard to believe.
How did you develop your writing style?
It must have been through osmosis or perhaps some other process that I don’t understand. I like to think of my stories as being a one sided conversation with the reader. I endeavor to keep my stories simple and try to avoid confusing the reader with too many details. To keep a story interesting it must have some details. It is kind of like putting salt in a stew. That is a very fine line that to this day often confuses me.
I think my writing style came about mostly because of the public readings I do. The audience usually will often tell me how much is enough. When no audience is available I read my stories aloud for only me to hear. The lesson I learned from doing that is, what looks good on paper often doesn’t sound good when read aloud. There was a time when our long gone family dog Little Bear was my only audience as I read my stories to him. Perhaps he didn’t appreciate my stories, but he did love the sound of my voice. There aren’t too many days when I don’t think of him. I miss him dearly.
I recently read a great short story with a great premise and a great character and when I was done, I just wasn’t satisfied at all.
Because, while the conflict was there, and it was pretty rough, things kinda just worked out for the character. She never had to take a hard stance. She never really suffered. And so her victory was kinda boring.
It’s a weird thing, as a reader you like a character, you want them to succeed, you even might get mad at the author if they torture them too much. But you’ll probably like the story alot more if they do. Just look at the popularity of George RR Martin’s books.
It’s even weirder for the writer though, because you don’t just like your character. You love them. They are your baby, a reflection of yourself, and this completely alien unique entity all at once and…
After repeatedly telling him to stop grabbing my butt, I finally warned him. “If you do that again, I am going to punch you in the face.”
He thought it was cute. He thought it was funny. Some silly girl threatening to hit him for something as innocent as a little butt grabbing. We flirted from time to time after all, or at least he flirted and I tolerated it.
I was polite. I was friendly. We had mutual friends and I didn’t want to be labeled a bitch. I didn’t want to be left out because I had the audacity of basing my careful rejections on the fact that I just wasn’t interested. Fortunately I had a relationship I could blame our lack of hooking up on.
But the butt grabbing, that was too much. And after the first time, when I said it wasn’t funny, I didn’t like, it, cut it out, he kept it up. Over and over and over. All night I would be standing up from my chair, butt grab. Talking to a friend, butt grab. Pushing through the crowd. Butt grab.
So I told him. And he immediately grabbed my butt again.
And I punched him in the face.
Shattering my carefully maintained social standing. I was a bitch. I was a tease. I was words that I will not type here.
It shouldn’t have had to come to that. I should have done things differently from the beginning. I was young and still unsure how to navigate the world as a woman. There was a line you were supposed to walk if you wanted to hang out. Friendly but not too friendly. Pretty but not too pretty. Cool, but not too cool. Too much of any of these things set up certain expectations. Too little and you were a bitch.
And always I was the guard of these secret behaviors, unable to call them out in public because the blame rested with me. Even resorting to physical violence to defend myself was preferable to revealing these nasty little ways that the men around us, the men we thought were friends, were degrading, violating, and for many many women, assaulting.
Women have been trained to protect the men who have attacked us.
I’m a good bit older now and I am seeing all these stories come to light, finally! I am seeing women reject the fucking line. Refuse to keep the secrets of their violators any long.
Please keep it coming. Please shout it loud.
Because IT IS NOT OKAY.
It’s not okay if they’re a democrat.
It’s not okay if they’re republican.
It’s not okay if they are older or younger than you.
It’s not okay if it’s just a little feel. It’s not okay if its a violent attack.
It’s not okay, no matter who they are, who you are, where you live and what you were doing.
We all own our own bodies. No one else has any right to them.
I have been pushing for two weeks. Struggling the last couple days. Tonight I am calling it. My momentum on this work in progress has crapped out and although I am so damned close to done, I think I need to take a break.
I don’t want to write this anymore. Not right now.
For every paragraph I write, my mind is drudging up plot holes that need filling.
I still don’t have a perfect ending. And it’s the end.
I don’t even like what I’m writing now.
Now I will tell everyone who will listen the most important part of writing is to finish what you write. You can’t truly fix anything that hasn’t been completed to begin with. But when doubt starts to take over and nothing is coming easily, I have found that my best method is to just take a step back.
Wait for it to call again. Think on it. Work on something that excites you.
So if you’ve read my last post, you know that I strongly recommend outlining, especially if you want to keep a steady momentum and keep a short deadline. But the truth is, I don’t always take my own advice. I would like to, because when I have outlined my first draft comes easier and is much cleaner.
But stories don’t always work the way you want them to and this is the case with my current project.
A first chapter I wrote way back before I even had children sprang to life last winter, lurching out of the obscure recesses of my hard drive and demanding attention. I wasn’t quite sure where it wanted to go, but the feeling of it began to become clear to me and the characters started speaking.
One late night when I had to go to bed but was reluctant to leave it, I put together a working outline of where I wanted it to go when I picked it up the next night. And the next night, it went in a completely different direction.
I wrote a looser outline of how the story would end, leaving plenty of room for unexpected twists.
When I consulted it next time I hit a lull, I was completely off course.
This story wanted to remain a mystery to me. Writing it was like navigating a heavy fog. I could only see what was going to happen when it was right in front of me.
Some ideas stuck. Some twists I came up with at the beginning remain, waiting for their big reveals. The characters who popped out at the beginning have claimed the personalities that they presented with. But the story, insists on being written by the seat of my pants.
To be honest it’s kind of a mess. But it’s also pretty exciting. I’m still not sure who the villain is. I’m still not sure how the anti-hero will prevail. Or if he will at all.
Seat of the pants writing is not the easiest way to write and when this manuscript is finally done I am in for a whole lot of serious editing, which is not my favorite thing to do. Writers who are dedicated to pre-plotting and outlining may abandon stories that insist on veering so wildly off course.
In my earliest novels, seat of the pants writing was the only way I worked. And those novels are unlikely to ever see the light of day again, but some surprising and exciting ideas and plots came out of them, and this will be the case for my newest work as well. Only this time, I think (or hope) I have learned enough to be able to clean this up into something awesome.
There is no wrong way to write a book, except not to do it at all. A story will tell you how it wants to be written, whether it’s with disciplined pre-plotting or complete chaos. If you let it call the shots in the first draft, it will take the pressure off of you and will actually make the experience of writing it pretty fun.
Tell me what you think. Are you a pantser or a plotter? Have you have had an unruly story that just insisted on going it’s own way?
I’ve tried to participate a few times and never quite made it. But you can learn from my failures.
If you’ve decided to participate in this year’s NaNoWriMo, first off, Congrats! It’s an awesome opportunity to stretch your limits and see what you can do. And you can do this, but the way is fraught with danger! Danger I say!
No, seriously, not danger, but it’s very easy to get off track and fall short of your goal. I know because I have done it myself. In fact I still have an awesome start to my NaNoWriMo manuscript from 2008 sitting on my hard drive, collecting digital dust.
But, I’ve also managed to churn out a few first drafts in a month’s time. Just not the month of November. If I wasn’t already 75% through a manuscript already, I would be participating in this year’s challenge.
So, get your work space ready. Decide that you can do this, and check out these tips to stay on track.
Seriously. Outline this story. You have already been told this so you might have done it in October, but if you haven’t do it now. It doens’t have to be exact. It does not need to be complicated, but having a framework to go off of, and a clear idea where the story is going will keep it moving. Whenever you start to feel the momentum slowing down, refer to your outline and move onto the next plot point.
2. Take advantage of the resources available to you.
One of the most helpful things I have come across in completing my work is having a writing community of real writers to bounce ideas off of, commiserate with, and tap for research. There are hundreds, probably thousands, of NaNoWriMo writing forums. Find one you like and use it! Often, just talking about your novel (with people who’s eyes don’t glaze over when you say “my novel…”) is enough to get the wheels turning again.
3. Turn off Social Media
We all know social media is the dark lord of time wasting. And your time is valuable right now. Don’t let the dark lord suck it away, even in your awesome NaNoWriMo forum, or you will be one of those people who is talking about the book they are writing instead of finishing the book they are writing.
4. Don’t edit it. Don’t even review it. For now.
No spell checks, no clean ups, NO REVISING. Just move forward for now. If you stop to read over everything you’ve written, you will be tempted to start fixing things. If you try to clean it up as you go along, you will never get done. Clean up later. Create now. Forward and not backwards. Even if you changed the MC’s name in chapter twenty.
5. Write every day. Every. Day.
Even weekends. Even Thanksgiving. It doesn’t have to be 5000 words, but try to write a paragraph if you have a busy day. Time off kills momentum and you need to keep momentum to finish this. Every day. I mean it. And yes, I mean you.
6. Have a life.
You can write a chapter a day and still grab a drink with your BFF, go on a date, re-watch all of Stranger Things. You should. Because writing is awesome, but you need to live to have stuff to write about and writing burn out is a real thing that will destroy your motivation if you let it. When your eyes start to cross or you are more stressed about what your MC is getting herself into than your latest work drama, take a breather. Just, you know, write first.
7. Take a Walk or just a brooding ten minutes
I need to write a post about my brooding breaks. They may be one of the most important parts of my process. I usually take one when I’ve completed a scene or a chapter and they allow me to collect my throughts, work through my transitions and start to piece together the next scene or decide it’s time to go to bed. It is imperative you get away from your computer to take a break. Go outside, take a walk, or just go sit in a different chair if need be, but no distractions, no phone, no TV. Just think, or brood. You will return to your manuscript fresh and ready to go on.
Yeah, I know you thought it didn’t apply to you, but now you’re stuck in your story half way through and have no idea where it is going or how to get to the end from here. So take a walk and work out a rough idea how to get to where you want to go and then write it down. There is no hard fast rule that says you have to outline before you start, but whenever you find yourself stuck, an outline WILL tide you over until the seat of your pants starts flying again.
9. Accept the Suckage
First drafts are bad. It’s okay. I know you don’t want it to suck but the strong difference between those who can write a novel in one month and those who cannot is that the ones who do it accept that at the end of November they will have a completed first draft. It might resemble a flaming dumpster fire but it’s a flaming dumpster fire that can be edited into a diamond. If you try to make it perfect while you are writing it, at the end of the month you will have a beautiful twenty pages.
10. Love what you do
This is your story. This is your voice. It is important whether it’s a space opera about fighting vampire robots or a generational drama about American immigrants. Write what you love and love what you do. That authenticity will carry you and your work further than any other method you use to complete your first draft.
Today Only, for Halloween you can get a free copy of Lucas Mangum’s collection of dark fiction Engines of Ruin on Amazon! Do it! Do it now!
Based on some of the lessons I’ve been learning recently, and sharing here, I really wanted to pick the brain of dark fiction author Lucas Mangum. Lucas has been kicking ass and making a name for himself as a unique voice in horror and dark fiction and has some great insights on writing, creating, and scaring the hell out of people this Halloween.
Hello Lucas. I know you are actually reading this on your computer, well after I’ve written this, but I’m going keep this conversational… like a weirdo
So, to start out, Please tell me a little about your work, your style, and your genre.
I write mostly horror, but have also been known to dabble in crime and the downright bizarre. I tend to write mostly about human darkness, as it’s something that I’m very fascinated with. I’ve been told my style is lyrical, but even if the things I’m describing are vulgar. That’s pretty neat, I think, because that gives the reader a juxtaposition.
Why do you think you are compelled to write horror? I have a theory that writing horror is an attempt at controlling your fears. Any validity with you?
-The concept of controlling or, in some cases, even exorcising my fears by writing horror is certainly part of it, but another huge part of it is just a pure love for the genre. I grew up on horror movies. I think they’re a lot of fun, and a desire to create something that is just as fun, while also talking about the darker side of life is probably my primary reason to write horror. We all have this in us. By the time this interview is posted, we would have just celebrated Halloween, a holiday where even your most straightlaced relative is compelled to dress their children up as devils and ghosts. It’s fun to play on the dark side. I just tend to enjoy it all year long, whereas the rest of the world indulges in it for one month.
What are some of the works that have inspired you?
-While I seriously doubt we would be friends, the collected works of H.P. Lovecraft are a huge touchstone for me. Conceptually and stylistically, his work speaks to me like no one else’s. If we’re going to continue talking about short stories, I’ve also got to give major shout outs to Bradbury’s The October Country, Joe Hill’s 20th Century Ghosts, Wrath James White’s Book of A Thousand Sins and the collected works of Richard Matheson. For longer works, It, Interview with the Vampire, Clive Barker’s Imajica, Poppy Z. Brite’s Drawing Blood, Sara Gran’s Come Closer, Brian Keene’s Dark Hollow and the Preacher comics really stuck with me. Film was my first love though, and I think Night of the Living Dead, Carnival of Souls, Phantasm, Texas Chainsaw Massacre, the work of John Carpenter, and Cemetery Man are all huge touchstones for me. Marilyn Manson taught me to be fearless as an artist, to always say what I want to say with confidence and not worry about whether or not a subject is too taboo to explore. I try to continue to be inspired too. Recent books that have really spoke to me are Black Gum, Cartoons in the Suicide Forest, Mr. Splitfoot, Ekland, Shallow Graves, and Ecstatic Inferno
And your favorite authors?
-Other than the authors of the above-mentioned works, I’ve got to give huge props to Jonathan Maberry, Carlton Mellick III, the poet Stephanie Wytovich, and Gabino Iglesias.
So you are a pretty prolific author. How many pieces did you publish this past year?
-From April of 2016 until now, I have published Flesh and Fire, which was part of a flip book with Dark of Night by Jonathan Maberry; Mania,a novella; A Killing Back Home, a ten-thousand word murder mystery; and Engines of Ruin, a collection.
Can you tell me a little bit about how you came to this point, where you can produce so much clean work?
-Oh, wow, so, I actually don’t consider myself that prolific. I think prolific and I think, Maberry, Mellick, Keene, Bradbury and Matheson, but I suppose it’s all relative. A lot of factors go into being prolific. Really, it just takes practice. Don’t be afraid to suck. It’s all part of the learning process. I’ve written ten books, five of which I won’t publish, and that’s not counting all the other books I decided to abandon. Also, you’ve got to make the time to write. It’s amazing what you can accomplish when you just sit down and do it. Does this mean you’ll be three years behind on shows to binge on Netflix? Yes. Does it mean you’ll miss out on social occasions and those podcasts everyone keeps talking about? You betcha. But if you really want to do this thing, you’ve got to make sacrifices. I’m not saying live like a hermit. I mean, I’ve at least seen Stranger Things and G.L.O.W., and I do have people over from time to time, but the point is to make time to write. It’ll get done when you let it get done.
Just for fun, tell me a little bit about the first novel you completed.
-The first novel I completed really wanted to be Stephen King’s It. It featured an evil shapeshifting court jester, instead of an evil shapeshifting clown. I was fourteen at the time.
What are some of the lessons you’ve learned since then?
-Ha, well, you can actually learn a lot by imitating, so I recommend doing it. Not publishing it, mind you, but doing it in your free time. Seriously. If I’m having trouble starting, I’ll retype a bunch of my favorite first lines. If I’m having trouble finding a rhythm, I’ll re-type a favorite chapter from something.
What would you say are the biggest factors in improving your work?
-Either hire an editor or find someone you trust who’s willing to do it for free. Make sure they have the mind of an
editor though. If they’re also a writer, you don’t want them giving you notes saying how they would do it. It’s still your book and they need to be objective. Other than that, I think it goes back to not being afraid to suck. It’s part of the process. Unavoidable, really. I just wrote a really shitty chapter on my work in progress that I plan to go back to and fix in the re-writer. It happens. Get it down and move on.
What has been your favorite project to date? Why?
-My favorite project to date has to be my forthcoming book, Gods of the Dark Web. It hits all the notes I wanted it to hit. I even have a hard time choosing a single passage from it when doing a reading, because there are so many passages I’m proud of.
And last of all, what is in the works for you?
-Aside from Gods, I’m also shopping a small-town horror novel called We Are the Accused, and I’m working on my first collaboration with bizarro author Michael Sean Leseuer. It’s called When We Don’t Sleep, and I think it will be very scary. It deals with sleep paralysis and demonic visions and creatures from the other side. Exciting stuff.